Meursault,
Meursault, Meursault... what to say about Meursault. I'll start off
by saying that Meursault is a weird
dude. He's completely amoral and is seriously lacking in the emotions
department. He lacks the capacity to judge morality versus
immorality, and in doing so (or rather in failing to do so)
inadvertently challenges society's moral codes. In addition to, and
probably as a result of, his amorality and inability to judge right
from wrong, Meursault is also honest – at times brutally so. To me,
his lack of emotional capacity and psychological detachment make
Meursault a character as intriguing and appealing as he is
frustrating and obscene – especially when it comes to his
relationship with Marie. Half of me thinks he's great for being so
earnest with her and leaving no room for her to misinterpret his
feelings, while the other half of me wants to shake him for not even
trying to really love her. Meursault and Marie are pretty similar
when you really think about it. Meursault derives nearly all his of
pleasure, or really any feeling at all for that matter, from the
physical world, be it the cool of the ocean or the taste of coffee.
Like Meursault, Marie is also highly receptive to the physical world,
she often kisses or hugs Meursault and makes it clear that she enjoys
having sex with him, however, in spite of their similarities,
Meursault and Marie have one major, glaring difference. Whereas
Marie's physical responsiveness to Meursault indicates her underlying
emotional affections, Meursault's responsiveness is purely physical,
because the physical world is really all Meursault has the ability
to recognize. I'm certain Camus meant for Meursault and Marie to be
so similar and yet to glaringly different, and I think Meursault's
final passing thoughts of Marie in which he states he can't feel
anything for her if she isn't physically present, exemplify the
extreme limit to his emotional capacity.
Meursault's
emotional detachment and lack of traits so inherent to humanity,
isolate and make him a stranger (hence the title) to society and
perhaps to himself as well. Society doesn't understand him, nobody
(Meursault included) can seem to make any sense of his crime or
provide an answer as to why he did it. Without any apparent rhyme or
reason, the judges, prosecution, and majority of the courtroom
attempt to construct their own rationale as to why Meursault shot a
man to death. The courtroom's insistence that there must be some
explanation for Meursault's action and the prosecutor’s unyielding
attempts to attribute his crime to his callousness, illustrate
humanity's often unavailing attempts to find rational explanations
for the endlessly irrational happenings of the universe. Camus uses
the trial to illustrate the futility and absurdity of this
subconscious and ubiquitous human act.
Although
I would like to disagree with Camus' major assertions illustrated by
the novel – those of the absurdity of the universe and the futility
and meaninglessness of human existence – I find it difficult to do
so. Camus suggests that because human existence has no meaning,
people try to construct a rational order by which to live their lives
and create concepts that give their lives meaning. There is certainly
solace in the belief that everything happens for a reason and your
life has great purpose or destiny, but it seems much more rational
and reasonable to accept the void Camus proposes. In fact, to me it
seems more rational to deny the existence of any rationality or order
of the universe and to reject attributing any great meaning to
existence, than it is to insist that there is great meaning to life
and some sort of logical order and structure to the universe. If
everything means nothing and one accepts the absurdity of the
universe, life seems simple and pressure-free, and one could
certainly find solace in that. It seems to me that no matter which
doctrine you live by, either that life has great meaning or no
meaning or somewhere in between, you'll find solace in something, be
it destiny or death. And as long as you find solace enough to keep
the absurdity at bay, you'll exist. Whether by destiny or chance is
irrelevant, you'll exist – and what could possibly mean more than
that?
After reading this post, among others, I feel like everyone feels the same about this guy...that he is nuts. Could you even imagine not feeling remorse for taking a life, or feel despair for the death of a loved one..this was a tough read for me
ReplyDeleteI read The Stranger in high school and we talked about a lot as a class so reading it again I never thought that Meursault lacked emotions, I just thought that he was hiding his emotions. He suppresses his emotions and that way, he only has to deal with physical things. He wants to take responsibility for everything, which is why he shot the Arab again after “the gun let off.” Just because the readers do not see Meursault feeling bad for taking a man’s life (or for his mother dying, or for wanting Marie only for her body, etc) doesn’t mean those emotions aren’t there, it just means he is choosing to hide. The story is written in first person point of view—in Meursault’s point of view, meaning the readers only see what Meursault wants them to see. We don’t know how he ended up this way, or why he chose to suppress his feelings, because the novel starts after Meursault already did that. I think that in his past, something bad happened that made Meursault’s world appearing threatening and his values then became attacked and appeared no longer important, thus there was no good, and no evil and he found himself “creating his own world.” One in which he refuses to feel any emotional pain. I got all of this from Solomon’s intro. Because the intro confused a lot of people in class, I like to think of the person Solomon keeps referring to, as Meursault, and see places where that fits differently, and where it doesn’t fit at all. Hoped this help you understand and enjoy The Stranger a little more!
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